Still from Mid-night in Paris by Woody Allen
The Modern Classics Series
This is my latest Blog series where I want to discuss the influence and the love of the Modern classics in art, popular culture and mainly literature.
The Roaring 20s
Something amazing happened in America in 1920s. This era gladly abandoned the royalties, dignities and elites from the previous one and adopted the romanticized and mythological love affair with the unknown. The popular culture was flooded with passionate, loud, bit phony but lovable characters. This era changed the music, the literature, the fashion and the women.The poster boy of this era was F.Scott Fitzgerald, who released his first book, This Side of Paradise in 1920.
The central character of the book is Amory Blaine, a narcissist Mid-western who joins Princeton University amid big promises but becomes disillusion with failed romance and army duty during first world war. This book is almost biographical, the thing I realized much later through the book.
The Old Jacket of the book. I was searching for this jacket in few bookstores but with no luck
His next book truly defined the Jazz Age. The Great Gatsby sold millions of copies worldwide and was adopted in two major Hollywood projects. Originally this book was not considered a success when it came out. Maybe it was bit ahead of its time. The book’s contribution was not only about the style and substance of the era, but also the commentary on the marginalization of women and expectation from the society. The disillusionment that he portraits in his former book takes a central stage here, with the focus on the materialistic Gatsby, whose American dream was described as “nightmare”.
The most iconic book from this era.
The another unique voice from the era was that of Ernest Hemingway. While working as a foreign correspondent in Paris, Hemingway’s novelty was the unseen of the world and the flattery to unheard of the society. His stories were based in small towns and cafes- from France to Spain to Scotland. His experience in war gave him a unique lens,especially on his notion of “Lost Generation” of artists and writers who got physiologically displaced due to first world war. His two big releases in the era were “The Sun Also Rises” and “A farewell to Arms.”
Hemingway introduced a unique narration that changed the decibel of the fiction
The famous Fitzgerald and Hemingway in Paris picture. Via ernestmillerhemingway.blogspot.com
While in Europe, Franz Kafka and Conan Doyle were making strides with their amazing creations. The Castle and The trail by Kafka made sure that he became the most popular Non-English language author of the era while Conan’s new books on Sherlock Holmes made it a great decade of books.
Another form of art that came in popular culture in that era was cartoons. Winnie-The-Pooh made his first appearance but it was The New Yorker Magazine’s first edition on 21st February 1925 that brought America’s very art, culture, humor and literature in the forms of cartoons. Both Hemingway’s and Fitzgerald’s stories also featured in The New Yorker.
Released on 21st Feb, this is the first ever cover of The New Yorker Magazine
The influence of cartoons may be phased out from the magazine now, but The New Yorker kept influencing the modern fiction. Authors as popular as Truman Capote, Jhumpa Lahiri, Murakami, J.D.Salinger, Stephen King, Ronald Dahl featured their best works for the magazine. Also the influence of magazine in the cultural journalism has been second to none.
Just like The New Yorker magazine, the jazz age is the symbol of the modern culture.
Hope you enjoyed the post. Please leave your thoughts in the comment section.
A still from 2012 adaptation of The Great Gatsby.